The Wraith (1986) – Mike Marvin
[25-WR] The darkest shade of Sheen at the peak of his fountain-of-youth fame before infamy made up most of his name despite respectable nepotism. [25-WR]
[25-WR] The darkest shade of Sheen at the peak of his fountain-of-youth fame before infamy made up most of his name despite respectable nepotism. [25-WR]
[25-WR] Digitalized aboriginal music from a remote bush-village inside Twin´s gelatinously warped mind with tubular beats that sound like a bull in a sampler shop. [25-WR]
[25-WR] Devin´s „higher, faster…“ approach of making colorful world music with a Disney touch. Prestigiously blending new and old elements make it an unfiltered Devin album. [25-WR]
[25-WR] Feel-good Hair Metal front that is well produced and full of practical ideas but its Umlaut-heart is really in the pursuit of pussy. [25-WR]
[25-WR] Diverse, healthy scandinavian sound/style, like oldschool Opeth with some finnish Melodeath and pinches of doom fortitude. Grows with time and maybe during swedish sunsets. [25-WR]
[25-WR] “Boom boom tap, boom boom tap Boom boom tap, boom boom tap Tick tick bang, tick tick bang Tick tick bang” “No tourists.” “Fuck you!” [25-WR]
[25-WR] The original music video for this palatable song featuring a clothed and colorless Chris Isaak interlaced with thermic Sailor and Lula scenes burning the film. [25-WR]
[25-WR] An album title that brings at least two questions to mind with a cover photo showing a two-faced Bruce Willis that we still trust. [25-WR]
[25-WR] Former German capital and present world capital for Beethoven-derision whom the locals insist in ignoring. The grass elsewhere stays always both greener and disgraceful. [25-WR]
[25-WR] This demo/ bootleg collection scores with punky hardcore-standards and this ‚stomping feet in face‘-feeling, which takes you mentally (retarded) back into 80‘s anarchy. [25-WR]