[25-WR] Upbeat melancholy raft-ride that´s full of genuine quirkiness and maritime-saltiness that feels bittersweet and soberly sad. Trumpeting ever so slightly while floating around. [25-WR]
[25-WR] Deep, directional bass-foundation that hunters & gathers multiple singing flavors while firmly but timidly fermenting basically the same rhythm with the warmest of distortions. [25-WR]
[25-WR] Death is on the air mainlining darkness into the mainstream through a polyphonic set of prodigious sounds and patterns that gracefully stumble out of adolescence. [25-WR]
[25-WR] Transgressive-coersive effort that industrially scatters itself all over the place, deep-synthetizing just about anything standing its way while a versatile Sam Kinison sings. [25-WR]
[25-WR] Intense sounds and rhythms that are like feeling the beating pulse of several types of factory machines at work with a subwoofer-ed up stethoscope. [25-WR]
[25-WR] Heavenly hellish. Hilariously british. A comedy bit for everyone, especially when you’re british and not so religious. Narrated by your inner little Alan Rickman voice. [25-WR]
[25-WR] Excellent low-budget music video self-presentation that further & heavily exploits its innate-tentional limitations by adding a wonderful found-footage vibe to itself. [25-WR]
[25-WR] An instru-metal journey that positively both ascends and descends with heavy ease while knitting mind-deserts that stay tarp-ed under a sepia sky. [25-WR]
[25-WR] Kurt Cobain´s last watched film: kiwi period piece that is really about prostitution rather than repressed passions juicing through the colourful cracks of dark colonialism. [25-WR]
[25-WR] Aus erstmaligem Blickkontakt nach Mr. Bungle Konzert konnte man den kalifornisch metallischen Fußabdrücken des Show-Darstellers folgen, welche einen Must-buy-Effekt seines Mediums erzeugten. [25-WR]