Acidosis – Band Photo
[25-WR] Three of them fucked prostitutes already. Two are on their way to their right-of-passage-overdose. The drummer studies hard to become an engineer. [25-WR]
👍 👍 👍 👍
Basquiat (1996) – Julian Schnabel
[25-WR] Talent-heavy (cast-wise) downer about a man who erases his own by hiding behind an embalming hype that far outlasts its allotted 15 minutes. [25-WR]
Juliette Danielle as ‘Lisa’ – The Room (2003)
[25-WR] The hard-working element of this cast, which despite her commitment had to act slutty, while being harassed by its romantic counterpart after the cut. [25-WR]
Dan Janjigian as ‘Chris R’ – The Room (2003)
[25-WR] The efficient guy who did what he was told, without overcomplicating things. He was there when a thug was needed – though, actually wasn’t an actor. [25-WR]
Robyn Paris as ‚Michelle‘ – The Room (2003)
[25-WR] The ‘one that stands out’ beauty and mind who’s just there for money and fun. With the least uncomfortable role, she fulfills her task excellently. [25-WR]
The Virgin Suicides (1999) – Sofia Coppola
[25-WR] A clandestine teenage brothel run by hard loving parents who keep basking in God´s rain right where the moral crater seems to bleed the most. [25-WR]
64 (2019) – Hideo Yokoyama
[25-WR] Im fernsten Osten, Land der Technik und Tradition, umspült der Wert von Ehre und Ansehen die Moral. Kontrolle ist staatlich genormter Puppenspieler der ineinandergreifenden Apparate. [25-WR]
Cecil Beaton Exhibit – Kampa Museum. Prague, Czech Republic
[25-WR] In spite of “his” queenly-elegant, high-fashion posings of the “gifted class”, his innate compassion evokes sincere smiles and matures him into Gary Cooper! [25-WR]
Silent Hill 3 OST (2003) – Akira Yamaoka
[25-WR] Distressing sound corridors under a rainy post-rock ambience, passing gloomy funeral sirens into it’s wrinkling abyss of cold finality. Visual dark rock, very unexpected. [25-WR]
Bram Stoker’s Dracula: Original Motion Picture Soundtrack (1992) – Wojyciech Kilar
[25-WR] It turns & churns its lyrical core longingly while secreting stringed beauty made fragile again and again by dramatic orchestral chords that rage with urge. [25-WR]